IAN GANASSI

SELECTED PUBLICATIONS
Poems: Stand Magazine (England; forthcoming, 2015), Clockwise Cat (forthcoming), De La Mancha (Spain; forthcoming), The American Journal of Poetry (2018), 2Bridges Review  (2018), Unlikely Stories (2018, 2017), New American Writing  (2018, 2012, 1991), BlazeVOX (2018), Lotus Eater (Italy; 2018), Home Planet News (2018), First Literary Review East (2018, 2017), Otoliths (2016, 2017), Past Simple (Trinidad; 2016), The Yale Review (2016, 2000, 1994), Offcourse (2017, 2015, 2013), China Grove (2015), Altered Scale (2014), The Moth (Ireland; 2014), MadHat Annual (2014), Interim (2013), Warwick Review (UK; 2012), Map Literary (2012), Blackbox Manifold (UK; 2011), Trickhouse (2009), Found Poetry (2009), Elixir (2006), Caketrain (2006), The New Haven Advocate (2005), Ploughshares (2001, 1995), Poetry New York (1999, 1995, 1991), Denver Quarterly (1999, 1995, 1991, 1987), Verse (1998), American Letters & Commentary (1998, 1994), Pequod (1993, 1991), Mudfish
(1991, 1987)

True for the Moment, a book-length poetry collection, was selected in 2018 by MadHat Press for publication in 2019
Mean Numbers, a book-length poetry collection, was published in September 2016 by China Grove Press
New England Review has published translations of Books 1 through 7 of Virgil’s Aeneid between 2003 and 2016
Critical essays have appeared in Critical Flame (2016), Salamander (2007), Boulevard (2007), Octopus (2007, 2005), and American Letters & Commentary (2003)

HONORS
2005  Pushcart Prize nomination for poem “Blunt Trauma,” published in The Journal
2005  Grant-in-aid, Saint Botolph Club, Boston, for translation of Book 6 of Virgil’s Aeneid
1993  Writing residency, The Millay Colony for the Arts,
Austerlitz, NY
1985  Working scholarship, Bread Loaf Writers’ Conference, Middlebury, Vermont

THE CORPSES, COLLABORATIVE COLLAGE,
EXHIBITIONS AND PUBLICATIONS

2018 Unlikely Stories, selections from "The Corpses"
2018 A5 Magazine, Portfolio 14, U.K.
2018 "Et Tu, Art Brute?" Andrew Edlin Gallery, NYC
2017 "Metro 31," City Wthout Walls, Newark, NJ
2017 "From Here to There," Camaradas El Barrio, Harlem, NY
2016  Shadowgraph Quarterly
2016 “Materials,” Materials for the Arts, LIC, NY
2016  “The Food Show,” Local Project, LIC, NY
2016  Koffee Art, New Haven, CT
2016  Recycled, Repurposed, Recovered: Found Object Art, A.D. Gallery, University of North Carolina at Pembroke
2015  Offcourse Literary Journal
2015  Superstition Review
2014  AMP Gallery, Provincetown, MA
2014  MadHat Lit
2013  The Drunken Boat
2011  Fogged Clarity Arts Review
2011  Creative Arts Workshop, New Haven, CT
2010  “Disciplined Spontaneity,” Zone: Contemporary Art, NYC

READINGS AND TALKS
2016  Poetry reading and book signing in conjunction with publication of Mean Numbers, Cornelia Street Cafe, NYC
2016 WPKN radio, interview by Richard Hill on publication of
Mean Numbers, poetry reading, and discussion of collage collaboration, "The Corpses"
2016  New England Review, Web site interview on translation of Virgil’s Aeneid, Book 7, and “The Corpses” 
2014  Poetry reading as part of exhibition, AMP Gallery, Provincetown, MA
2010  “Illuminating the Text,” gallery talk and poetry reading in conjunction with “Disciplined Spontaneity” exhibition, Zone: Contemporary Art, NYC   
2010  Presentation on “The Corpses,” Educational Center for the Arts, New Haven
, CT

WORK EXPERIENCE
1990–present  Poetry readings, collaborations with dancers, visual artists, and musicians
In New Haven—Yale University, The Phoenix New Haven Poetry Series, Southern Connecticut State University, ECA, Dancespace New Haven
In New York—The State University of New York at Purchase, Cornelia Street Café, NYC
2009–2011  Instructor, “Collaborative Writing,” ECA,
New Haven, CT
1990–2012  Latin percussionist/dance accompanist, modern, Caribbean, and African dance classes
1995  Instructor, “Reading and Writing Contemporary Poetry,” Yale College Seminar, New Haven
1984–93  Editorial assistant, The Paris Review, NYC
1983-1992 Various business-related writing, including computer technical writing and needs analysis, and preliminary feasibility studies.

EDUCATION
MFA in Poetry, City University of New York, Brooklyn College, Brooklyn, NY. Studied with poets including John Ashbery and Ann Lauterbach
BA, English, State University of New York, Empire State College, White Plains, NY


LAURA BELL

SELECTED EXHIBITIONS AND PUBLICATIONS 
2018 Unlikely Stories, selections from collaborative collage series, "The Corpses" 
2018 A5 Magazine, Portfolio 14, selections from "The Corpses," U.K.
2018 "Et Tu, Art Brute?" selections from "The Corpses," Andrew Edlin Gallery, NYC
2017 "Metro 31," selections from "The Corpses," City Wthout Walls, Newark, NJ
2017 "Animalia," Local Project, LIC, NY. Curator: Julian Calderon
2017 "From Here to There," selections from “The Corpses," Camaradas El Barrio, Harlem, NY
2016  Painting “Flyway” used as cover of New England Review, Fall/Winter issue
2016  "International," Center for Contemporary Art, Bedminster, NJ. Juror: Jonathan Goodman, Brooklyn Rail, Artcritical
2016  Shadowgraph Quarterly, selections from “The Corpses”
2016  “Materials,” selections from “The Corpses," Materials for the Arts, LIC, NY
2016  “The Food Show,” selections from “The Corpses," Local Project, LIC, NY. Curator: John Baber, Lesely Heller Gallery
2016  "Recycled, Repurposed, Recovered," selections rom “The Corpses," A.D. Gallery, University of North Carolina at Pembroke  
2015  Offcourse Literary, selections from “The Corpses”
2015  Superstition Review, selections from “The Corpses”
2014  AMP Gallery, Provincetown, MA; paintings and selections from “The Corpses”
2014  MadHat Lit, selections from “The Corpses”
2013  The Drunken Boat, selections from “The Corpses”
2013  “Big Queens Drawing Show," Jamaica Center for the Arts, Jamaica, NY
2011  Fogged Clarity Arts Review, selections from “The Corpses”
2011  Creative Arts Workshop, “The Corpses,” New Haven, CT
2010  “BYOA,” X Initiative, NYC
2010  “Disciplined Spontaneity,” Zone: Contemporary Art, NYC
2009  Governor’s Island Art Fair, NYC          
2008  Governor’s Island Art Fair, NYC
2007   “Anonymous Drawings 6,” Blütenweiss, Berlin
2005   A.I.R. Biennial, A.I.R. Gallery, NYC
2003   “Oil,” Lowe Gallery, NYC
2000  “Perimeters: Painting,” LICK Gallery, LIC, NY
1996   “Beyond Abstraction,” Doshi Center, Harrisburg, PA
1996  “Personal Visions,” Art Place, Chicago
1990  “Brooklyn,” Minor Injury Gallery, Brooklyn, NY
1985  “Downtown Work,” Caidoz Gallery, NYC
1985   Solo installation, “Imagine You Can Dance,” Windows on White, NYC; sponsored by LMCC
1984  “Body Memories,” BACA/Brooklyn Council for the Arts, Brooklyn, NY

OTHER
2016 WPKN radio, interviewed with poet Ian Ganassi by Richard Hill on collage collaboration, “The Corpses,” and publication of Ganassi's poetry colection Mean Numbers
2010 “Illuminating the Text,” gallery talk and poetry reading in conjunction with 
“Disciplined Spontaneity” exhibition, Zone: Contemporary Art, NYC
2010 Presentation on collage collaboration, “The Corpses,” Educational Center for the Arts, New Haven, CT
1994 Commission for Local 2110, installation commemorating
10 years of union organizing, Amalgamated Lithographers, NYC
1993 Artist-in-residence, the Millay Colony for the Arts,
Austerlitz, NY

1992 Commission for Good Machine Productions to create paintings and drawings for director Ang Lee’s film The Wedding Banquet
1990 Individual Artist’s Grant, Artists Space, NYC

EDUCATION
B.A., Douglass College, Rutgers University, New Brunswick, NJ

BIBLIOGRAPHY
Robert Shuster. “Best in Show—Disciplined Spontaneity,” The Village Voice, 1/6/10
Angela Ashman. “Words of Art,” The Village Voice, 1/13/10
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