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IAN GANASSI
SELECTED PUBLICATIONS Poems:
Marco Polo (2010), Fogged Clarity (2010), Language and Culture (2010),
Sawbuck (2010), The Journal (2010, 2005), Trickhouse (2009), Found
Poetry (2009), Caesura (2008), Skidrow Penthouse (2008), Elixir (2006),
Caketrain (2006), The New Haven Advocate (2005), Octopus (2004), The
Hat (2004), Hotel Amerika (2003), Full Circle (2003), Ploughshares
(2001, 1995), The Yale Review (2000, 1994), Poetry New York (1999,
1995, 1991), Denver Quarterly (1999, 1995, 1991, 1987), Verse (1998),
The Plum Review (1998, 1996), American Letters & Commentary (1998,
1994), The Gettysburg Review (1996), Another Chicago Magazine (1994),
Onthebus (1993), Pequod (1993, 1991), The Paris Review (1992, 1991,
1987), New American Writing (1991), Boulevard (1991), and Mudfish
(1991, 1987). New England Review published my
translation of Book 3 of Virgil’s Aeneid in 2010, Book 1 in 2009, Book
6 in 2007, Book 4 in 2005, and Book 2 in 2003. Critical essays have
appeared in Salamander (2007), Boulevard (2007), Octopus (2007, 2005),
and American Letters & Commentary (2003). I
have two collections of poetry: Hard Words was a finalist for the
Silverfish Review Press and Sarabande Morton awards (2005), the Utah
State/May Swenson Award (2004), the CSU Poetry Center Award (2001), the
National Poetry Series (1998), and the Walt Whitman Award (1993, 1992);
Mean Numbers was a finalist for the Mississippi Review book prize
(2009) and the Silverfish Review Press Cable Award (2008) and a
semifinalist for the Elixir prize (2007, 2006, 2005) and the Ohio State
Journal award (2007). HONORS
2005 Pushcart Prize nomination for poem “Blunt Trauma,” published in The Journal 2005 Grant-in-aid, Saint Botolph Club, Boston, for translation of Book 6 of Virgil’s Aeneid
1993 Writer-in-residence, the Millay Colony for the Arts, Austerlitz, NY
1985 Working scholarship, Bread Loaf Writers’ Conference, Middlebury, Vermont
OTHER
2011 Fogged Clarity Arts Review, selections from “The Corpses,” online exhibition
2011 “The Corpses,” selected work, Creative Arts Workshop, New Haven, CT
2010 Presentation of collage/text collaboration “The Corpses,” Educational Center for the Arts, New Haven
2010 “Illuminating the Text,” gallery talk and
poetry reading in conjunction with “Disciplined Spontaneity”
exhibition, Zone: Contemporary Art, NYC
2010 “Disciplined Spontaneity,” group show, Zone: Contemporary Art, NYC
2009–present Instructor, “Collaborative Writing,” ECA, New Haven
1990–present Poetry readings, collaborations with dancers, visual artists, and musicians:
In New Haven—Yale University; The Phoenix New Haven
Poetry Series; Southern Connecticut State University; ECA; Dancespace
New Haven
In New York—The State University of New York at Purchase; Cornelia Street Café
1990–present Latin percussionist/dance accompanist, modern, Caribbean, and African dance classes
1995 Instructor, “Reading and Writing Contemporary Poetry,” Yale College Seminar, New Haven
1984–93 Editorial Assistant, The Paris Review, NYC
EDUCATION
MFA in Poetry, City University of New York, Brooklyn College, Brooklyn, NY
Studied with poets including John Ashbery, William Matthews, Ann Lauterbach, and Stephen Spender
BA, English, State University of New York, Empire State College, White Plains, NY
LAURA BELL
SELECTED EXHIBITIONS
2011 Fogged Clarity Arts Review, 20 selections from “The Corpses”
2011 “The Corpses,” selected work, Creative Arts Workshop, New Haven, CT 2010 “BYOA,” X Initiative, NYC 2010 “Disciplined Spontaneity,” group show, Zone: Contemporary Art, NYC 2009 Governor’s Island Art Fair, NYC 2008 Governor’s Island Art Fair, NYC 2007 “Anonymous Drawings 6,” Blütenweiss, Berlin 2006 Salon, Musée de Monoian, NYC 2005 A.I.R. Biennial, A.I.R. Gallery, NYC. Curator: Maura Reilly, the Brooklyn Museum 2003 “Oil,” group show, Lowe Gallery, NYC 2000 “Perimeters: Painting,” group show, LICK Gallery, Long Island City, NY 1996 “Beyond Abstraction,” Doshi Center, Harrisburg, PA. Curator: John Ravenal, Philadelphia Museum of Art 1996 “Personal Visions,” Art Place, Chicago. Curator: Dan Gustin, the Art Institute of Chicago 1996 “Selections,” group show, Bowery Gallery, NYC 1990 “Brooklyn,” group show, Minor Injury, Brooklyn, NY
1985 “Downtown Work,” group show, Caidoz Gallery, NYC 1985 Solo installation, “Imagine You Can Dance,” Windows on White, NYC; sponsored by the Lower Manhattan Cultural Council 1984 “Body Memories,” group show, BACA/Brooklyn Council for the Arts, DCC Gallery, Brooklyn, NY AWARDS/COMMISSIONS/OTHER 2010 Presentation of collage/text collaboration “The Corpses,” Educational Center for the Arts, New Haven
2010 “Illuminating the Text,” gallery talk and poetry reading in conjunction with “Disciplined Spontaneity” exhibition, Zone: Contemporary Art, NYC 1994 Commissioned by Local 2110 to create installation commemorating 10 years of organizing, Amalgamated Lithographers Building, NYC 1993 Artist-in-residence, the Millay Colony for the Arts, Austerlitz, NY 1993 Commissioned by Good Machine Productions to create paintings and drawings for Ang Lee’s film The Wedding Banquet
1987 Individual Artist’s Grant, Artists Space, NYC EDUCATION B.A., Douglass College, Rutgers University, New Brunswick, NJ
SELECTED BIBLIOGRAPHY Robert Shuster. “Best in Show—Disciplined Spontaneity,” The Village Voice, 1/6/10 Angela Ashman. “Words of Art,” The Village Voice, 1/13/10
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